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Panasonic AW-HE38H (AW-HE38HKEJ) Integrated Full HD Camera (HDMI) – Available in Black or White
| Indoor or outdoor | Indoor |
| Lens | 22x Optical Zoom Lens |
| Power over Ethernet | Yes |
| Supports | 1080/59.94p, 29.97p, 59.94i, 29,97PsF, 1080/50p, 25p, 50i, 25PsF, 720/59.94p, and 50p video formats |
| Colour | Black or White |
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Panasonic AW-HE40HK PTZ Camera with HDMI Output
PRODUCT HIGHLIGHTS
1/2.3″ Full-HD MOS Sensor, HDMI Output
4.3 to 129mm Zoom Lens
30x Optical & 10x Digital Zoom
Pan/Tilt Speed of 90°/sec
±175° Pan Range
-30 to 90° Tilt Range
IP Live Preview
Dynamic Range Stretch (DRS)
Audio Input
PoE+ Compatible
Panasonic AW-HE40 Specs
Image Sensor 1/2.3″ Type MOS
Lens Motorized 30x zoom, f/1.6 to 4.7
(F=4.3 to 129mm, 35mm equivalent: 31.6 to 962mm)
Focus Distance Entire zooming range: 3.9′ / 120 cm
Wide end: 4″ / 10 cm
Compression JPEG (M-JPEG)/H.264
Image Resolution VGA (640 x 480) (16:9 Letterbox: 640 x 320), QVGA: (320 x 240) (16:9 Letterbox: 320 x 180)
Output Format 1080p: 59.94/50/29.97/25
1080i: 59.94/50
1080PsF: 29.97/25
720p: 59.94/50
Synchronization System Internal
Shutter Speed During Full Auto
59.94: 1/30 to 1/2000
50: 1/25 to 1/2000
During Auto
59.94: 1/60 to 1/2000
50: 1/50 1/2000
Manual
59.94: 1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000
50: 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000
Synchro Scan Shutter 59.94: 59.94 Hz to 660.09 Hz (255 steps)
50: 50.00 Hz to 570.12 Hz (255 steps)
Pan/Tilt Speed Maximum 90°/sec
Pan Range ± 175°
Tilt Range -30 to 90°
Sound Level NC35 (at normal speed), NC40 (when preset)
Input/Output Connectors LAN: 1 x RJ-45
Hd-SDI: 1 x BNC 75 Ω Compliant with the SMPTE292M standards RS232C: 1 x Mini DIN 8-pin (in)/1 x Mini DIN 8-pin (out)
RS422: 1 x RJ-45 (control in RS422A)
USB: 1 x Mini B-port (for maintenance)
SD Card: ` x microSD card slot (for maintenance)
Minimum Illumination 59.94
0.7 lux (50 IRE, F1.6, 48 dB,1/60 without accumulation)
0.35 lux (50 IRE, F1.6, 48 dB,1/30 with accumulation [Frame Mix 6 db])
50
0.7 lx (50 IRE, F1.6, 48 dB,1/50 without accumulation)
0.35 lx (50 IRE, F1.6, 48 dB,1/25 with accumulation [Frame Mix 6 dB])
Installation Stand-alone (desktop) or suspended (hanging)
Power Requirements AC Adapter: 12 VDC
PoE+ Power Supply: 42 to 57 VDC
Power Consumption AC Adapter: 1.2 A
PoE+ Power Supply: 0.4 A
Temperature / Humidity Operating: 32 to 104°F / 0 to 40°C
Storage: -4 to 122°F
Humidity: 20 to 90% (non-condensing)
Dimensions (W x H x D) 6.3 x 7.3 x 6.5″ / 160 x 186 x 166 mm
Weight 3.3 lb / 1.5 kg
Packaging Info
Package Weight 7.0 lb
Box Dimensions (LxWxH) 12.677 x 11.26 x 9.921″
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Panasonic AW-HE40SK PTZ Camera with HD-SDI Output
PRODUCT HIGHLIGHTS
1/2.3″ Full-HD MOS Sensor, HD-SDI Output
4.3 to 129mm Zoom Lens
30x Optical & 10x Digital Zoom
Pan/Tilt Speed of 90°/sec
±175° Pan Range
-30 to 90° Tilt Range
IP Live Preview
Dynamic Range Stretch (DRS)
Audio Input
PoE+ Compatible
Panasonic AW-HE40 Specs
Image Sensor 1/2.3″ Type MOS
Lens Motorized 30x zoom, f/1.6 to 4.7
(F=4.3 to 129mm, 35mm equivalent: 31.6 to 962mm)
Focus Distance Entire zooming range: 3.9′ / 120 cm
Wide end: 4″ / 10 cm
Compression JPEG (M-JPEG)/H.264
Image Resolution VGA (640 x 480) (16:9 Letterbox: 640 x 320), QVGA: (320 x 240) (16:9 Letterbox: 320 x 180)
Output Format 1080p: 29.97/25
1080i: 59.94/50
1080PsF: 29.97/25
720p: 59.94/50
Synchronization System Internal
Shutter Speed During Full Auto
59.94: 1/30 to 1/2000
50: 1/25 to 1/2000
During Auto
59.94: 1/60 to 1/2000
50: 1/50 1/2000
Manual
59.94: 1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000
50: 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000
Synchro Scan Shutter 59.94: 59.94 Hz to 660.09 Hz (255 steps)
50: 50.00 Hz to 570.12 Hz (255 steps)
Pan/Tilt Speed Maximum 90°/sec
Pan Range ± 175°
Tilt Range -30 to 90°
Sound Level NC35 (at normal speed), NC40 (when preset)
Input/Output Connectors LAN: 1 x RJ-45
Hd-SDI: 1 x BNC 75 Ω Compliant with the SMPTE292M standards RS232C: 1 x Mini DIN 8-pin (in)/1 x Mini DIN 8-pin (out)
RS422: 1 x RJ-45 (control in RS422A)
USB: 1 x Mini B-port (for maintenance)
SD Card: ` x microSD card slot (for maintenance)
Minimum Illumination 59.94
0.7 lux (50 IRE, F1.6, 48 dB,1/60 without accumulation)
0.35 lux (50 IRE, F1.6, 48 dB,1/30 with accumulation [Frame Mix 6 db])
50
0.7 lx (50 IRE, F1.6, 48 dB,1/50 without accumulation)
0.35 lx (50 IRE, F1.6, 48 dB,1/25 with accumulation [Frame Mix 6 dB])
Installation Stand-alone (desktop) or suspended (hanging)
Power Requirements AC Adapter: 12 VDC
PoE+ Power Supply: 42 to 57 VDC
Power Consumption AC Adapter: 1.2 A
PoE+ Power Supply: 0.4 A
Temperature / Humidity Operating: 32 to 104°F / 0 to 40°C
Storage: -4 to 122°F
Humidity: 20 to 90% (non-condensing)
Dimensions (W x H x D) 6.3 x 7.3 x 6.5″ / 160 x 186 x 166 mm
Weight 3.3 lb / 1.5 kg
Packaging Info
Package Weight 6.95 lb
Box Dimensions (LxWxH) 12.7 x 11.3 x 10.2″
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The Panasonic AG-UX90 4K/HD Professional Camcorder records UHD 4K at up to 30p, and FHD up to 60p in variable frame mode. The camera supports 59.94, which is analogous to NTSC, making the camera compatible with US broadcast standards. It features an integrated 15x optical zoom lens and a 1″-type sensor, and can record UHD 4K and Full HD in MOV and MP4. The camera is also capable of recording HD in the AVCHD format.
The AG-UX90 offers gamma settings for eight different scenarios, and manual control rings for iris, zoom, and focus. To monitor the status of all settings and perform critical focusing functions, the camcorder features both a high-quality 3.5″ LCD touch screen, and a full-color LCoS 0.24″ viewfinder with 1,560,000 dots of resolution. It incorporates two SD slots that allow for simultaneous recording in UHD and HD. You can also choose relay recording, which allows the recording to shift from one card slot to the other as the card fills up.
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The Panasonic AG-UX180EN 4K Premium Professional Camcorder records DCI 4K (cinema 4K) at 24p, UHD 4K at up to 60p, and FHD up to 120p (when set to 59.94Hz standard). The camera is switchable between the 59.94 and 50Hz frame format, which is analogous to NTSC and PAL. This allows the camcorder to integrate seamlessly with a wide range of current broadcast video systems in place around the world. Featuring an integrated 20x optical zoom lens and a 1″ type sensor, the camera records in DCI 4K, UHD, and HD in MOV, MP4. The camera is also capable of recording HD in the AVCHD format. The 16-axis color correction functionality enables precise color adjustment not normally available on a camcorder.
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Panasonic’s AG-DVX200 4K Handheld Camcorder with Four-Thirds Sensor and Integrated Zoom Lensbrings professional features and familiar camcorder ergonomics to the Four Thirds sensor format. It features a single MOS sensor with 4K resolution that captures up to 12 stops of dynamic range with Panasonic’s V-Log L gamma curve. The camcorder supports DCI 4K production at 24 fps, UHD 4K at up to 60 fps, and HD at up to 120 fps, providing you with a camcorder that is at home in a variety of production environments.
Recording 4K to MP4 or MOV and offering AVCHD recording of 1920 x 1080 HD video, your footage can be easily integrated into most modern postproduction workflows. The integrated 13x Leica zoom lens features three lens rings that give you manual control over focus, zoom, and iris. The camera records to SD cards and requires U3 speed class cards to record 4K video. The camcorder features timecode in / out, a 3G-SDI output for HD video, and an HDMI connector that provides 4K output.
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5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic‘s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. Panasonic’s acclaimed Dual Native ISO technology is also incorporated into this sensor. Dual Native ISO
uses alternative circuitry within the sensor, rather than adding gain or shifting the gamma of the original signal output, to increase sensitivity while maintaining a high signal-to-noise ratio. The standard native ISO is 800, which works for most production situations. This can be switched to 2500 when working in dim scenarios.
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225-Area Advanced Depth-From-Defocus AF System
For accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.05 seconds, which enables continuous shooting up to 9 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV.
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Panasonic HC-PV100GC Full HD Digital Video Camera
The video light is extremely bright (300 lx at 1 meter), for reliable shooting in dimly lit places. A diffusion filter softens the light source, and a colour conversion filter converts the colour temperature.
Simultaneous Recording
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AG-UX180EN Panasonic 4K Premium Professional Camcorder
PRODUCT HIGHLIGHTS
The Panasonic AG-UX180 4K Premium Professional Camcorder records DCI 4K (cinema 4K) at 24p, UHD 4K at up to 60p, and FHD up to 120p (when set to 59.94Hz standard). The camera is switchable between the 59.94 and 50Hz frame format, which is analogous to NTSC and PAL. This allows the camcorder to integrate seamlessly with a wide range of current broadcast video systems in place around the world. Featuring an integrated 20x optical zoom lens and a 1" type sensor, the camera records in DCI 4K, UHD, and HD in MOV, MP4. The camera is also capable of recording HD in the AVCHD format. The 16-axis color correction functionality enables precise color adjustment not normally available on a camcorder.
The AG-UX180 offers a bevy of other professional-level features, including dual XLRs with phantom power, SMPTE time-code generation, gamma settings for eight different scenarios, and manual control rings for iris, zoom, and focus. To monitor the status of all settings, and to perform critical focusing functions, the camcorder features both a high-quality 3.5" OLED touch screen and a full-color LCoS 0.45" viewfinder with 1,770,000 dots of resolution. It incorporates two SD slots that allow for simultaneous recording in UHD and HD (DCI 4K can only record to one SD card). You can also choose relay recording, which allows the recording to shift from one card slot to the other as the card fills up. Panasonic's background recording allows you to record continuously on one card, while starting and stopping the recording on the first card. Dual Codec recording is available allowing you to record UHD on one card and HD video on the second.
Panasonic Optical Technology
The integrated Leica Dicomar 20x zoom lens was designed specifically for professional HD video production and features a 24mm equivalent focal length on the wide end of the zoom when recording DCI 4K for a 24-480mm (35mm equivalent) zoom range. The lens combines four lens groups and incorporates Optical Image Stabilization (OIS) and when shooting in HD it supports 5-Axis Hybrid image stabilization.
Intelligent Zoom
The i.Zoom function increases the zoom range in FHD to 30x while maintaining highresolution. When the zoom reaches the 20x optical zoom limit it switches seamlessly to i.Zoom.
Digital Zoom
The AG-UX180 is equipped with 2x, 5x and 10x digital zoom. Using the 20x optical zoom and i.Zoom together, the digital zoom will extend the range to 60, 150, and 300x without affecting exposure.
Manual Control Rings
Three manual rings, mechanical (cam-driven) zoom, focus, and iris, allow you to operate as if you've got an interchangeable-lens camcorder, able to adjust either focus, zoom, or iris directly without having to select a control surface.
Intelligent Auto Focus
Features high-speed focusing, high-precision focus tracking, and high-focusing stability.
Customizable Auto Focus
You can adjust the AF speed, sensitivity and area width to fine tune the AF functionality to your tastes or the needs of the shot. The speed can be set from 1 to 7, the higher the number the faster the AF. The sensitivity likewise can be adjusted in steps from 1 to 10, with the higher value corresponding to being able to track faster-moving subjects. The adjustable area width can be adjusted to fine tune the auto focus selection.
Manual Focus
To assist you in setting and confirming focus, the following features are included:
ND Filter
The AG-UX180 features a four-position (OFF, 1/4 ND, 1/16 ND, 1/64 ND) optical neutral density filter wheel.
16-Axis Independent Color Correction Function
This function provides an independent effect to each of the 16 phases of video images. It enables color matching of multiple cameras under the same lighting conditions as well as creative image rendering.
Skin Detail Adjustment
Skin Detail smooths out fine detail on the face of your subject.
Eight-Mode Gamma
Drawing upon the technology of the high-end VariCam line, the UX180 features 8 selectable gamma modes including two cine-like gammas:
Three-Position Gain Selection
There is a 3-position gain selector, with L, M and H settings. To each setting you can assign a gain value of 0, +3, +6, +9, +12 and +18 dB. There is also a Super Gain of +24 dB and +30 dB, accessible via a user button only.
Other Camera Image Settings
Three values (A/B/Preset) of white balance are selectable with an auto-tracking white function. The preset can be set to 3200K, 5600K, and VARIABLE, which ranges between P2.4K and P9.9K. As with gamma, matrix setting includes a Cine-Like mode. H & V detail levels are adjustable, as are detail coring and skin-tone detail. That's not all: chroma level, chroma phase, color temperature, and master pedestal are all adjustable as well. The camera offers four settings for knee point: Auto, Low, Mid, and High.
High-Quality, Multi-Format Professional AVCHD PH Mode
The AG-UX180 uses the AVCHD recording format and also supports the high-image-quality PH mode. AVCHD complies withMPEG-4 AVC/H.264 High Profile motion-picture compression technology. Boasting a compression efficiency that ismore than twice that of the MPEG-2 system (such as HDV), this advanced video file format delivers superb image quality and low data rates. The PH mode was developed for AVCCAM by Panasonic exclusively for high-quality professional video production. This mode boasts a maximum AVCHD bit rate of 24 Mb/s (average: 21 Mb/s) and records 1920 x 1080 Full-HD images. The AVCHD PH mode is also compatible with multiple HD formats, such as 1080/59.94i, 1080/29.97p, 1080/23.98p and 720/59.94p.
Linear PCM Recording for High-Quality Sound
The AG-UX180 supports uncompressed 16-bit Linear PCM 2-channel digital audio recording with PH mode for high-quality sound. Other modes employ Dolby Digital 2-channel audio recording.
59.94 Hz / 50 Hz Switchable
Select from 59.94 Hz or 50 Hz to support video production systems used around the world.
Double-Slot SD Card System
Not only can you record continuously on two SD/SDHC/SDXC cards (up to 64 GB), relay recording lets you seamlessly record images onto two memory cards consecutively for added data security, and simultaneous recording records the same images onto two different memory cards to increase reliability when recording. The slot to be used can be switched during normal recording, and clips can also be copied between the 2 slots. 1
SMPTE Timecode Recording and Synchro
The built-in SMPTE timecode generator lets you select the Drop Frame/Non-Drop Frame and Free Run/Rec Run modes and preset. User bits are also provided. Connecting two cameras with a TC preset in/out (video out) connector allows the slave camera to synchronize with the master camera.
Other Recording Modes
Pre-Rec continuously stores in standby mode up to 4 seconds of HD video, 3 seconds in UHD, and this pre-record cache is only recorded to the P2 card once you press Record. This helps you get the shot every time, even if you "miss" the crucial moment by a couple seconds. Interval Rec gives you automatic intermittent recording based on a set interval and recording time (1 sec, 10 sec, 30 sec, 1 min, 2 min) only in 1080/24p. Rec Check checks the beginning and end of the last recorded clip. If you don't like it, Last Clip Delete enables one-button delete of that last clip. Scenes can be marked with up to 100 Index flags per clip (AVCHD mode only). Time Stamp appends the date and time onto recorded images, which is a crucial feature for evidential images.
Scene File / User File
The camera features a scene dial that allows you to choose an appropriate matrix of settings instantaneously. You can modify the six preset files if you'd like, one set of which can be stored internally in the camcorder. Up to eight sets can be stored on an SD memory card.
Simplified Waveform & Vectorscope
The AJ-UX180 has waveform and vectorscope display functions for analyzing a captured video signal on the LCD.
Three User Buttons
A total of three user buttons can be set to trigger any selection of 16 different camera functions: INH, FACE DETECT, WFM, EVF DTL, D.ZOOM, DRS, S.GAIN, ATW, ATW LOCK, SHOT MARK, INDEX, LAST CLIP, BACKLIGHT, SPOTLIGHT, BLACKFADE, and last but not least, WHITEFADE.
High-Quality Color Viewfinder and LCD
The AG-UX180's color EVF uses a 0.45", approximately 1,770,000 dot-equivalent OLED display. It delivers bright, detailed, high-resolution images and a high response speed. The AG-UX180's LCD monitor has a 3.5", approximately 921,000-dot (1920 x 480) high-resolution panel. Various markers and grids can be displayed on the monitor/viewfinder, and with Mode Check, a list of the camera's settings can also be displayed on the viewfinder and monitor.
SDI (24PsF) Output and Auto Rec
Outputs images up to 4K 24p, UHD 60p and UHD 50p
Outputs analog signals for video and audio monitoring.
XLR Input for Pro-Quality Audio
In addition to the internal high-performance stereo microphone, the AG- AC160 comes equipped with two-channel XLR audio input terminals with a 48V phantom power supply. The internal microphone, external microphone, or line input can be selected for each channel. Large, easy-to-use level dials are also provided.
Zebra
Select any two zebra levels from 50% to 105% (in 5% steps).
USB 2.0
The type mini-B USB port allows for connection to a PC in device mode.
Remote Terminal
Enables remote operation of iris, focus, Rec Start/Stop, and index functions.
Color Bar
Outputs a color bar signal and test tone.
Tally Lamps
Tally lamps are provided on the front and rear
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AJ-PX270
PROMOTION FREE : AZDEN 305UPR + 35BT OR AZDEN 305UPR + 35HT
Handheld HD Broadcast Camcorder
The first handheld camera recorder to feature the AVC-ULTRA*1 codec family, microP2 cards and wireless LAN connection.
Key Benefits:
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With the newly developed large-format 4K sensor, this camera produces highly expressive 4K video with rich gradation in addition to supporting simultaneous HD/SD.
4K Studio Handy Camera
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1080p 4x high-speed shooting for vivid imaging of high-energy moments in sports and other events.
HD Studio Handy Camera
The 3MOS sensors popular in constantly evolving ENG cameras are now available in Studio Handy Cameras
1080p 4x high-speed shooting included as standard function*
The AK-HC5000 camera system has a high-speed shooting function that adds a rich expressiveness to video content production.
Newly developed 2/3-type MOS sensor
High-image-quality video production is realized with the newly developed 2/3-type MOS sensor. (See below chart for the supported video format.
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Memory Card Camera Recorder
AG-DVX200
Opening New Paths to Video Production with 4K Quality and MobilityThe AG-DVX200 debuts as the world's first* 4/3-type large format camcorder with integrated zoom lens. Combining digital video technology that Panasonic has developed over its long history of producing broadcast equipment with its expertise in professional camera recorder, the AG-DVX200 blazes an entirely new trail in video production.
This new camera recorder captures stunning images with the shallow focus and attractive Bokeh effect of its 4/3-type large-format sensor, and the latitude made possible by the 12-stop V-Log L processing inherited. High-speed processing of these high resolution images by a new 4K engine enables high-quality, multi-format (4K/24p, UHD/60p, FHD/60p) recording.
The AG-DVX200 also features a number of high-end functions to meet video production needs, including Full-HD, 120-fps Variable Frame Rate(VFR) shooting and dual codec recording. And it integrates a newly developed LEICA DICOMAR 4K 13x zoom lens. High-speed, high-precision full-auto functions and professional-level manual functions provide operating ease and mobility that are possible only from a lens-integrated body.
The crimson red coloring and stylish carbon-black textured body form a highly impressive and innovative design, in response to the artistic sensibility of video creators. This color scheme also reflects the expressive capability of the AG-DVX200's vividly detailed 4K images together with its superb mobility and intuitively easy operation, supporting the everyday demands of active professionals.
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A High-End ENG Camera Recorder Featuring AVC-ULTRA*1 Codecs,microP2 Card Slots and Network Support forAutomatic FTP Transmission and On-Air Streaming.
Combining high-end image quality with cost-efficient operation, the AJ-PX5000G meets the new needs of broadcast workflows for the networking age, and sets a new standard for ENG.
AVC-ULTRA*1 codecs let you choose the quality and bit rate that suit your application from AVC-Intra200, which produces images that approach the level of uncompressed master quality; the popular AVC-Intra100/50; AVC-LongG50/25, with low-bit-rate operation and Full-HD 1920 × 1080, 4:2:2, 10 bit image quality; and AVC-LongG12, with 8 bit, 4:2:0 images and extended recording time. Dual codec recording is also possible with the low-bit-rate and high-quality AVC-LongG6 codec (Proxy file/Full-HD 1920 x 1080), for breaking news. In addition to conventional P2 card slots, the AJ-PX5000G offers microP2 card slots, which dramatically reduce media costs. Featuring the 2.2-megapixel 2/3-type MOS image sensor, this advanced camera recorder achieves high F12 (59.94 Hz)/F13 (50 Hz) sensitivity and excellent images with an S/N ratio of 62 dB. Also enabling progressive full frame 1080/60p*2 and 1080/50p shooting, the AJ-PX5000G supports camera output from a 3G-SDI/HDMI terminal, and line recording from a 3G-SDI IN terminal.
IT operation via wired/wireless LAN** or 4G/LTE** connection is enhanced by a number of network functions, include Previewing, Remote Operation, and Playlist Editing as well as a Rec During Upload function that automatically transfers data to a network server while recording, and on-air streaming of Full-HD images. This all contributes to a smoother ENG workflow based on networking and IT operation.
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Memory Card Camera Recorder
AJ-PX380G
Bundled with the AG-CVF15G Color LCD Viewfinder and FUJINON 17x Zoom Lens
AJ-PX380GF
AVC-ULTRA* and Network Operation** Supported. Camera Adaptor Function Built-In. Shoulder-Type Camera Recorder Provides Easy, Cost Efficient Broadcast Quality and Functions.
The shoulder-type AJ-PX380G Camera Recorder raises broadcast picture quality and compact, lightweight mobility while adding functions that enhance network-based workflows and enabling simple, excellent cost performance operation. Its 1/3-type 2.2-megapixel 3MOS sensors achieve high sensitivity, high S/N, and a wide dynamic range. AVC-ULTRA* codecs let you select the most suitable bit rate for your purpose, from high-quality 1080/60p (50p) 4:2:2 10 bit recording to low-rate streaming and FTP transmission, for broadcast-level image acquisition. Network functions support wired LAN, wireless LAN, and 4G/LTE connectivity. A built-in Camera Adaptor function allows simple base station connection with two BNC cables for SDI input. All of this allows the AJ-PX380G to provide simple and cost efficient solution to a wide range of applications, from news gathering to relay, live streaming and studio camera operation.
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2ME Live Switcher with wide system adaptability and intuitive operability provides high reliability.
2ME Live Switcher
AV-HS6000
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HD switcher with 16 SDI inputs, 4 SDI outputs, 2 DVI outputs, and Dual-screen MultiViewer as standard equipment.
Multi-format Live Switcher
AV-HS450
(AV-HS450N, AV-HS450E)
| HD | 1080/59.94i, 50i, 24PsF*, 23.98PsF*, 720/59.94p, 50p | |
|---|---|---|
| SD | 480/59.94i, 576/50i | |
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A Rival to High-End Switchers in Performance and Ease of Operation into a Compact, Integrated Body
Live Switcher
AV-HS410
(AV-HS410N, AV-HS410E)
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A compact P2 deck with 24P and 3D compatibility for studio production and on-air transmission.
Memory Card Portable Recorder
AG-HPD24
A High-Performance P2 Portable Deck in a Half-Rack Size
AVC-Intra Recording, HDMI*1 Output and USB 3.0*2 Interface
2-Unit Sync Operation Records and Plays Superb 3D Images
Versatile Functions for Broadcasting and Image Production Work
*1: Supports 3D
*2: USB3.0 host interface
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The P2 drive with Super Speed USB 3.0 Interface Boosts Workflows for News and Other Productions
Memory Card Drive "P2drive"
AJ-PCD30
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microP2 Card, The World's First UHS-II Compliant Professional Memory Card. Bringing Higher Efficiency, Reliability and Speed to Broadcasting Workflows.
AJ-P2M032AG
microP2 Card (32 GB)
AJ-P2M064AG
microP2 Card (64 GB)
AJ-P2AD1G
Memory Card Adapter
AJ-MPD1G
Memory Card Drive
Panasonic has developed microP2 card solid-state recording media for broadcast use with the same size as the SD Memory Card. While dramatically reducing the size and cost of the current P2 card (which is PC card size), the new microP2 card offers the same level of data capacity (32 GB/64 GB) as well as high transfer speed, superb reliability and excellent security. A Memory Card Adapter for use in devices*2 equipped with the current P2 card slot, and a Memory Card Drive are also available. This provides a smooth transition to a microP2 card-based workflow with superior operability.
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The new F Series supports writing up to AVC-Intra Class 200 of the AVC-ULTRA family*1 as well as the currently available codecs with the existing P2 devices.Memory Card "P2 card" F series
AJ-P2E064FG
AJ-P2E032FG
Large Data Storage Capacity and High Transfer Speed
High Reliability Withstands Repeated Use
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Highly reliable professional memory card capable of 4K high quality image / high speed recording
Memory Card "expressP2 card"(256GB)
AU-XP0256AG
for VariCam 35/VariCam HS
The expressP2 card offers the same level of durability as the P2 card.
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High Performance and Rugged Durability with a Full-HD IPS Panel and 3D-LUT Picture Quality A 55 cm (21.5 inches) LCD Monitor with Excellent Cost-Performance for Broadcast Use.
546.1mm (21.5inches)
LCDVideo Monitor
BT-LH2170
The BT-LH2170 LCD Video Monitor incorporates the 3D-LUT (Look Up Table) Color Correction and other high-quality imaging engine features that are unique to Panasonic's LH Series into a 55 cm (21.5 inches) IPS Panel with Full-HD resolution and a wide viewing angle. It also offers excellent operability for outdoor field acquisition due to its rugged aluminum diecast body and DC power capability, together with versatile assist functions such as a Y MAP display, Zebra display, and dual-window display. Newly enhanced 3D assist functions support 3D image production. These and other functions allow the BT-LH2170 to meet a wide range of image production and broadcast needs.
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A Professional Reference Monitor Supporting 4K Image Production for Broadcasting and Cinema
787.4 mm (31 inches)
4K LCD Monitor
BT-4LH310
Connectors：SDI 1(3G), SDI 2(3G), SDI 3(3G),SDI 4(3G), HDMI 1, HDMI 2, DisplyPort 1, DisplyPort 2, GPI, RS-232C, RS-485, HEADPHONE
Power supply : AC, DC
Panasonic introduces the BT-4LH310 787.4 mm (31 inches) 4K LCD monitor, to provide powerful support for 4K and 2K/HD image production for broadcasting and cinema applications. The BT-4LH310 boasts stunning display resolution in both 4K (4096 x 2160) and QFHD (3840 x 2160). Its reference-level image quality and excellent color reproduction meet the DCI (P3) color gamut standards. Its new LUT (Look Up Table) upload function also allows high-precision color management in a digital cinema workflow. In addition, this LCD monitor comes with a variety of display functions to assist video production, such as Zoom, Focus-in-Red and Y Map, as well as other handy functions that streamline production activities, including Frame Grab and Error Indication. The rugged aluminum frame and AC/DC power capability ensure high mobility.
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AW-RP50E Panasonic Remote Camera Controller
PRODUCT HIGHLIGHTS
Uses IP and Serial Control
Supports up to 5 Panasonic Cameras
Offers Automatic IP Setup
Controls Camera Functions
Simple to Connect and Operate
Ergonomically Designed
Controls up to 100 AW-HE50S/H Cameras
Remote Control Protocol – IPv4, RS-422 (Panasonic AW series protocol)
Connection – Serial: Up to 5 cameras / IP: Up to 100 cameras (Up to 100 when Serial and IP are used together)
Adjustment functions – Pan/Tilt, Zoom, Focus, Iris, Gain, Pedestal, Shutter, Detail,White Balance (Auto, R/B Gain), Black Balance (Auto, R/B Pedestal), Switch scene files
Preset memory – Up to 100
Switcher Control Connection – IP: 1
Switcher Supported – AW-HS50N
Linkage – Camera information display, TALLY information imported, BUS material selection (AUX/PVW/PinP/KEY-F), Parameter changes (Pan/Tilt lever, Zoom button)
Interface TALLY/GPI – TALLY input x 5 channels, GPI INPUT x 4 channels, GPI OUTPUT x 4 channels, D-sub 15 pin (female x 1)
LAN – 10BASE-T/100BASE-TX (for IP control), RJ45 x 1
Pan/Tilt head – RS422 (for Serial control), RJ45 x 5
General
Power Requirements DC 12V ±10 % (AC adapter provided)
Power Consumption 2.0 A
Operating Temperature 0°C to +40°C
Operating Humidity 10% to 90% (no condensation)
Weight 2.42lb (1.1kg)
Dimensions (WxHxD) 8.26 x 2.63 x 6.96″ (210 x 67 x 177 mm)
Packaging Info
Package Weight 4.5 lb
Box Dimensions (LxWxH) 13.0 x 11.5 x 7.4″
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Panasonic AW-RM50G Wireless Remote Control
anasonic AW-RM50G Wireless Remote Control is designed to provide operation and control of up to five HE50 series cameras. It controls pan, tilt, and zoom at high and low speeds, and enables remote selection of auto focus and iris modes. Other controls include manual focus, iris, and gain, plus programming and recall of camera presets. Many other parameters can be adjusted via remote access to the camera’s on-screen menus.
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